pkkiai: (Default)
Craig’s Big Day means so much to me. It’s been referenced throughout DHMIS—it was the main 3’s show in episode 2 of the web series, it was referenced in the TV pilot, and the song was referenced in episode 5 of the TV show—so I think it’s an important piece to Becky and Joe, too. Becky and Joe accept the various meanings people draw from their art, and I think they purposefully leave a lot of room for viewer interpretation. I love that about their works; that’s a major part of why I find their art so personal. Most of the subject matter of Becky and Joe’s art is relatable on its own, but I was given room to make it resonate with me by relating it to my specific experiences.

With that being said, I like to view Craig’s Big Day as an autistic man’s depressive episode running its course. There’s no explanation why Craig (seemingly) snapped out of it. Maybe he changed his mind once he was truly given the chance to die with the poison. Like, no matter how suicidal you are, you only realize how dire the verge of death is when you’re close to it. But any depressive episode will eventually run its course; it’s like a flow, and it comes in waves. But when it’s over, you feel big and strong and get cool spikes in your hair.

The poison Craig was going to drink was a gift. I think that’s an obvious metaphor for suicidal ideation. The poison also manifested itself as the sole gift Craig received on his birthday, which I think represents the view of suicide as the only source of escape (Wacky Pig Worm stopped working after a while). Because more than anything, Craig is tired. When you’ve been in an MDE, isolated with nothing but your thoughts, it’s only natural to grow tired of it all. But I like to think Craig pulled himself out of it…!

There is a lot to take away from this little series, but I don’t have it in me to write about all of its intricacies right now. I just want to get this out there since I think the few people willing to read a journal like this can appreciate something like Craig’s Big Day. The clock, the birthday meal, the ending… please watch it yourself and form your own interpretation:


pkkiai: (足立レイi feel fantastic)
I absolutely adore this one. Takena’s femme fatale leads are always sick, but this vampire lady might be my new favorite character of his. He’s such a big zombie fan—it’s a bit surprising to see a full-on vampire from him! And she’s so pretty!!! He’s also been making girls team up a lot in his more recent works, which I am so fucking here for.

The atmosphere in Midnight Vampire is particularly dour when compared to most of Takena's other works. I love the sinister red lighting in the kill scenes, and the antagonists this time have a very dark, cultlike air to them. Of course, Takena’s wacky killers and funny zombies are great, but his more serious antagonists are by far my favorites. They’re really cool…!

Also, this might just be me, the kills this time around feel reminiscent of a mid-2000s Western splatter flick. The Hatchet Series specifically comes to mind for some of them. It’s really cool to see that specific brutality I associate with live-action Western movies incorporated into a Japanese claymation. But this comparison might be wholly based on the fact that I have seen far too many shitty American splatter flicks and care very deeply for them lol. Either way, though, the kills in Midnight Vampire rock. I’m always happy to see Takena’s gore.
pkkiai: (mori)
A short puppet film from the 50s that teaches kids about teeth. It has a creepy, low-budget charm to it that is further enhanced by its obvious age. The bizarre characters and dreamlike feel of the short are surreal in a very specific old-school way. It’s funny, please watch it.
pkkiai: (足立レイi feel fantastic)

Illusion of Bias is a classic among internet horror junkies and it's stuck with me since I first saw it. The imagery is unnerving; it is clearly that of an experimental film, yet strikingly unique in its eeriness. I think that’s what made it stand out so much to netizens.


The sound design (gurglegurglegurgle) and music are fantastic. Something cool I learned a few years back is that Alexander Shevchenkowho was involved in Philosophy of a Knife's score—composed the music for the dream sequence. I’m not sure how I failed to acknowledge that for so long, honestly…! (stupidt)


My favorite part of Illusion is how it builds tension and discomfort through its storytelling and standout elements (visuals and sound design). My only gripe with this short is that its "this could happen to anyone, you could have it so much worse!!1!" message is such a tired concept, but all the praise I’ve sang for it more than makes up for that.


It’s also one of the few works that manages to instill a genuine sense of unease in me. I have dysmorphia and mainly struggle with the perception of my face, so a lotta the lines in Illusion resonated with me a lot. Even though this short isn’t about my exact condition, there are obvious parallels to be drawn. I really value that fucked up sense of relatability in art.


Anyway, I’m tired and want a coffee. If you’ve got 5 minutes to kill, then check out Illusion here:
 

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